This
is a completely different album cover for the same genre of music, and uses a
photograph of the artist and clever use of colour to create a distinct
representation. As this is the debut album for this artist, it is important for
it to establish the singer’s image, and so it is understandable that Gabrielle
would be featured on the front, even in long shot.
The title ‘English Rain’ is cleverly combined with the
photograph, as the girl holds an umbrella yet wears a short dress and is
running across a beach – a humorous reference to the rainy summers often found
in England. This implication would only be picked up by someone familiar with
the country, however, and it is understandable that for a first album, the
singer is targeting her own country, and not looking internationally to start
with – though the quaint nature of the image would appeal to Anglophiles in
America. The black and white background helps to enhance the image of England
as gloomy, whilst also giving an old-fashioned look with its darkened corners,
matching the ‘traditional’ theme many folk albums have. The singer however is
in colour, with the umbrella in particular brightly multi-coloured. This infers
that the singer is a ray of sunshine in a dark world, and suggests the music
within is uplifting. The singer also wears a white, lacy dress that is a
symbolic sign for innocence, and her stance with the umbrella is quite dainty
and sweet, suggesting a traditional ‘pretty girl’ representation. In terms of
Laura Mulvey’s ‘male gaze’, the shortness of the dress is directly aimed at a
male audience. Rayner describes representation as "the process by which the media present the 'real world'", and here, the representation of Gabrielle is clearly not a direct translation from the 'real world', as the stylised decolouring of the background is clearly contrived - we are not supposed to believe that Gabrielle is the type of girl who would run along beaches in short skirts. Whilst there are plenty of signs to signify her as a fragile, innocent character, the fact she is the centre of her own solo album, holding her own suggests a level of independence that is probably a more accurate presentation of her 'real world' image than what is shown here.
The grey also suggests that the album has sadder, more
ballad-like songs, as well as the uplifting ones. This supports Abercrombie's theory that "boundaries between genres are shifting", as this cover hints at several genres of music, from pop (with the voyeuristic short skirt) to indie (with the black and white background) to romantic ballads (the mournful seaside location). The dark lower third also pushes the user’s focus up into the
lighter top 2/3s. With the singer centralised, despite being quite small, she
is clearly focused on – although the emphasis seems to be on getting the singer’s
name to be recognisable more than her face, which is difficult to see. The name
however, is in bold, large serif font, whilst the album name is in a
handwritten font. This fits with the old-fashioned look of the black and white,
whilst the handwritten style fits the young, girly image. Whilst there is a
vintage look to this album cover, its simplicity, thin font style and grey pallor
is quite modern, appealing to a young target audience, and making her appear
current. The focus on style and setting up of tone is especially important here
as it is her debut album – this will similarly be important for our cover, in
order to establish a star image. The use of black and white is also something
we could maybe look at, after already considering it in our photograph props –
whilst the subtly and minimalism is a very current trend in covers and will
work with our more concept-based music video.

I love the simplicity of this and it is a fantastic analysis. Could you now post how this has inspired you and what your intentions are?
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