This album cover for the paper kites is very simple, and
interestingly doesn’t feature a photograph of the band, as is a convention.
Instead, as is a growing trend in recent, more indie publications, it uses a graphic-style
piece of imagery in combination with the band’s name and album title. The band
name is in a larger font, as this is what users would look for if searching for
the Digipak in a shop, as opposed to the album title which is more forgettable.
The theme for this Digipak relates to my artist well, with a
natural theme, including using a juxtaposition of bright and colourful on dark/moody.
This prepares the user for a mixture of cheerful and more serious songs, with the
album not leaning too much either way. Setting the tone for the album is a very
important function for the album cover, and this cover gives of a distinctly
sweet, almost magical tone with its illustrations and enchanted forest look.
This is particularly indicative of O'Sullivan's theory that media shows a "partial selected review of reality" - with natural, recognisable elements over-enhanced and turned into something like literature. Framing the bright flowers in a circle makes the user feel as though they are
looking in through a window at a secret garden of sorts, and draws the user in
to the album, forcing their attention onto the name of the artist. In this way,
the artist’s name is advertised, for example if the Digipak was featured in a HMV TV
advert, as well as the actual CD, raising their public profile.
The colours are very natural, using greens and browns with
touches of pink and red, which would appeal more towards a female audience. The
natural theme is appropriate for the album’s title ‘Woodland’, and hints at the
folk genre of music to be found inside. This is quite a typical folk theme, and supports Kress' theory that genre "derives its form from repeated social occasion". Whilst not an original concept, it is effective. Flowers are signs that have
connotations of delicacy and beauty, and so similarly are aimed towards women,
though the style of the trees in the background are quite modern in their thin,
tall style, keeping the cover from looking whimsical- this is not aimed at
children. The font used for the title is also quite delicate and fragile, with
thin sans-serif letters that look hand-drawn. This fragility fits with the name
‘Paper Kites’ and the font is part of the band’s house style that is used
consistently to make a recognisable image. Despite being thin, the font still
stand out due to the capital letters, white font against dark background and
the framing of the border. The colour white also is a symbolic sign signifying innocence,
and fits the childlike, sweet nature of the cover, whilst not being too bright
as to detract from the decorative graphics- it feels like a natural extension
of the images.
This is very interesting and may work with your MV as you could also play around with light and shade and colour - perhaps you could make use of the signifier - berries?
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