-Emma Hall 9162
-Alex Major 9190
The average shot length for this song will be quite long at the beginning to match the slow pace of the song, especially int he more abstract shots. At 1:30 the pace of the song increases, and a quicker ASL follows, as the singer runs away. The tempo then evens out afterwards.
SC
|
DAY/
NIGHT
|
SCRIPT LOCATION
|
SHOOTING LOCATION
|
EVENTS
|
CHARACTERS
|
NOTES
|
1
|
DAY
|
Countryside
|
Rotting Wood Location
|
Loose pages flutter
across screen
|
Includes close-up of
book/page with name title on.
|
|
2
|
DAY
|
Countryside
|
Barrels, rusty tools,
bolts, buckets of metal, tired wall.
|
Montage of rusty objects,
- singer looking at them and walking past them.
|
Singer
|
Dissolves and
superimposed between abstract shots of decay.
|
3i
|
DAY
|
Dark Barn
|
Alex’s Barn
|
Walking past the barn
and then deciding to walk into it.
|
Singer
|
Long Shot to begin,
singer framed centre, shots of the feet walking through the doorway.
|
3ii
|
DAY
|
Dark Barn
|
Alex’s Barn
|
Standing in doorway,
looking around lost, starting to sing verse.
|
Singer
|
Silhouetted in doorway,
close-ups of the singer singing. Shot Reverse Shot 00:40
|
3iii
|
DAY
|
Dark Barn
|
Alex’s Barn
|
Walking down past some
scattered pages and books, picking some up and putting them down again,
winding down to the back of the barn.
|
Singer
|
POV shots, pans from one
side of the barn to the other, as pages lead to the back of the barn. More
close-ups of the singer singing.
|
3iv
|
DAY
|
Dark Barn
|
Alex’s Barn
|
Notices the hero book at
the back of the barn, picks it up and looks it over.
|
Singer
|
Slow pan to land on the
hero book, reaction shot of singer. This should be on the second chorus.
|
4
|
DAY
|
Studio
|
Drama Hall
|
Drum starting to beat.
Singer singing into microphone.
Shots of the singer and
drummer in the studio will be interspersed throughout the video.
|
Drummer, Singer
|
1:30 drums come in.
Close-up of the drum pedal. Singer on the final “we take turns so no one was
alone” before the instrumental. Intercut with reaction shot of the singer.
|
5
|
DAY
|
Dark Barn
|
Alex’s Barn
|
Singer turns and runs
out of the barn.
|
Singer
|
Further reaction shots. Long
Shots, close-ups of the feet, and handheld tracking out of the barn.
|
6
|
DAY
|
Countryside
|
Concrete outside barn,
with pages on, field, leafy tree area.
|
Montage of feet running
over different surfaces: cracked concrete, grass, leaves, pages
|
Singer
|
Transitions between
barn’s concrete to the copse location with close-up tracking shots of feet
running over different surfaces (journey)
|
7
|
DAY
|
Copse
|
Copse near farm with
book set dressing.
|
Singer walks into the
trees, then walks back and forward.
|
Singer
|
Tilt up from feet to new
tree location. Jump cuts of singer walking in different directions, leaning
against the tree while the camera stays still.
|
8
|
DAY
|
Edge of copse
|
Ditch
|
Singer runs out of the
trees
|
Singer
|
Long shot walking down
and further abstract shots of berries, leaves and other natural elements
nearby.
|
9
|
DAY
|
Field edge
|
Dike
|
Singer walks/runs
further down the dike.
|
Singer
|
Extreme long shot.
|
10i
|
DAY
|
Field
|
Field
|
Singer walks up to
field, and sees a photograph on the ground.
|
Singer
|
Establishing shot of
field, POV shots including shots of the singer’s shadow over the field and
the photograph. Reaction shots of the singer.
|
10ii
|
DAY
|
Field
|
Field
|
Singer looks at the
photograph and decides to turn and go back.
|
Singer
|
Shot reverse shot of the
singer and the photograph.
|
11
|
DAY
|
Field edge, Edge of
copse, Copse
|
Dike, Ditch, Copse near
farm
|
Singer walks past
through each location, no longer looking at the books.
|
Singer
|
Shots edited together
with cutaway shots in the studio to speed up walk back.
|
12
|
DAY
|
Barn
|
Alex’s Barn
|
Singer walks up to the
doorway, looks down at the photograph and takes a moment before walking back
in.
|
Singer
|
POV shots down at the
photograph. Close ups of the singer and long shots showing location.
|
13
|
DAY
|
Light Barn
|
Alex’s Barn
|
Singer walks down to the
book, picks it up, opens it and puts the photograph back in its place.
|
Singer
|
Mid shots, pans across
and close-ups.
|
14
|
DAY
|
Copse
|
Copse near farm
|
Singer is sat under a
tree looking through the book at further photographs
|
Singer
|
Long Shots, close-ups of
the book, POV shots and more abstract shots of trees and branches nearby.
|
15
|
DAY
|
Field
|
Field
|
Singer walks back to the
field and decides to walks on over the field into the sun with the book.
|
Singer
|
Focus on the book, as
singer walks off and gets smaller and smaller as the song ends.
|
Consider your ASL and check this against research.
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